Sunday, October 19, 2008
Theaters and Theater Companies of New York
For theater goers and drama lovers, the World Audience Publishers (New York) has published a brief guide to important theaters and theater companies in New York. Authored by Mike Stefan Strozier and Anthony Rubino Jr., Theaters and Theater Companies of New York (January 2008) carries a wealth of guidance on important drama production centers in New York along with full page photos of theater buildings.
Strozier and Rubino’s book inform the readers on the difference between different kinds of theater companies, working in New York; the background of their origin; and the profiles of more important theaters and production companies including their contact details and expert rating of their overall performance. Such an evaluation may help the readers decide what theater to go on their coming weekend. In addition, the authors of the book have also touched on the good and not-so-good critics and publications concerned with the quality of theater in New York. The book also warns against some places for security reasons – information, particularly helpful to strangers/tourists who want to enjoy nighttime theater in New York.
Despite the somewhat out-of-proportion abundance of theater images, Theaters and Theater Companies of New York does not lack in amusing substance. You learn about the story of the first actor, the story of the Tony Award, financial facts about theaters, the longest running plays, and more. This guide offers a snapshot of the art of theatrical production in New York, its past and present, and the business and pleasure of theater in the heart of America.
Availability
http://www.amazon.com/Theaters-Theater-Companies-York-2008/dp/193420983X/ref=sr_11_1?ie=UTF8&qid=1200718025&sr=11-1
Friday, October 17, 2008
The Last Cowgirl
Dickie Sinfield, the 52-year old Salk Lake City journalist, ignored the call of her ‘cowgirl instincts’ for years in order to mix up in the more delicate and nifty urban lifestyle. But now, when her only brother is dead in suspicious circumstances, Dickie has little choice but to return to the ranch in Clayton, Utah, where she spent a childhood full of internal psychological conflict. The storyline of Jana Richman’s latest novel The Last Cowgirl (William Morrow Books, January 2008) points to the strong sense of connectedness to a place – in Dickie’s case, the country farmhouse where she had her first practical lessons in living a life.
The story of The Last Cowgirl proceeds as a first-person narrative, taking turns between Dickie’s voice as the 52-year old reporter in Salt Lake City and the child Dickie growing up on a farm. Unlike her elder sister Annie, Dickie’s characterization follows the view of her mother: ‘playing it safe is a shitty way to live a life.’ This holds for both the girl child on the ranch who would get lost in the hills at night and rescued by the ranchers as well as for the still-single, investigative reporter who would go politically incorrect in the face of crooked authorities. Strength, courage, stamina, and the spirit of adventure speak it for the west; Dickie Sinfield being an instance.
Jana Richman’s novel is a balanced work of inspiring literary merit. The language is fresh; the conversations are engaging; and all the main characters are memorably created. In a sense, The Last Cowgirl is a book of heroes chosen from apparently common people. Dickie’s conflict is both natural and vital for the expression of her real self – one that has escaped the lash of time by her half-conscious choice of shifting places. The motivation for returning to Clayton is gradually explored in the combination of the two subplots that fit into each other like mirror images to make a single, shining whole. Readers are cogently led to show how Dickie’s life is about keeping the legacy of courage and commitment that has been the pride of living in the openness of the American west.
The Last Cowgirl also critically brings up some burning issues, e.g. care for animals versus their abuse for vested-interests; passion for natural versus artificial life; speaking the disturbing truth about war as against a conciliatory silence; and finding the true love in contrast to mere companionship for the sake of a social life. With absorbing dialogues, captivating imagery, and delightful humor Jana Richman has scribed a heart-winning saga of exquisite western beauty.
ISBN: 978-0061257186
Availability
http://www.harpercollins.com/books/9780061257186/The_Last_Cowgirl/index.aspx
Author Page
http://www.randomhouse.com/author/results.pperl?authorid=36360
The story of The Last Cowgirl proceeds as a first-person narrative, taking turns between Dickie’s voice as the 52-year old reporter in Salt Lake City and the child Dickie growing up on a farm. Unlike her elder sister Annie, Dickie’s characterization follows the view of her mother: ‘playing it safe is a shitty way to live a life.’ This holds for both the girl child on the ranch who would get lost in the hills at night and rescued by the ranchers as well as for the still-single, investigative reporter who would go politically incorrect in the face of crooked authorities. Strength, courage, stamina, and the spirit of adventure speak it for the west; Dickie Sinfield being an instance.
Jana Richman’s novel is a balanced work of inspiring literary merit. The language is fresh; the conversations are engaging; and all the main characters are memorably created. In a sense, The Last Cowgirl is a book of heroes chosen from apparently common people. Dickie’s conflict is both natural and vital for the expression of her real self – one that has escaped the lash of time by her half-conscious choice of shifting places. The motivation for returning to Clayton is gradually explored in the combination of the two subplots that fit into each other like mirror images to make a single, shining whole. Readers are cogently led to show how Dickie’s life is about keeping the legacy of courage and commitment that has been the pride of living in the openness of the American west.
The Last Cowgirl also critically brings up some burning issues, e.g. care for animals versus their abuse for vested-interests; passion for natural versus artificial life; speaking the disturbing truth about war as against a conciliatory silence; and finding the true love in contrast to mere companionship for the sake of a social life. With absorbing dialogues, captivating imagery, and delightful humor Jana Richman has scribed a heart-winning saga of exquisite western beauty.
ISBN: 978-0061257186
Availability
http://www.harpercollins.com/books/9780061257186/The_Last_Cowgirl/index.aspx
Author Page
http://www.randomhouse.com/author/results.pperl?authorid=36360
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