In his latest book of collected poems Cats Creep the Fire to Art (World Audience Publishers, New York, 2008), Mathew Ward has strummed a personal note on various aspects of human life ranging from religion, art, and history to death, depression, women, and self. And there is a separate section Australia that shows glimpses of life in Australia as the author has experienced, especially in his younger years.
Ward’s mode remains nearly the same throughout the six sections of the book, having a feel of a kind of detachment and distance from the scenes or situations in the poems. He does dare talk about the ‘personal’ when he writes about more personal aspects of life, like that of aging in the poem A Valediction: On Approaching Thirty in the Final Days (page 119). What he also does frequently in many of the poems is using allusions, Dickens’ Magwitch for example in the aforementioned poem, which demands a well-read reader to better grasp the message(s) in his poems. This is more the case when he writes about religion and history. To understand Ward, therefore, one has to have basic background knowledge of these subjects.
The section Australia will presumably be enjoyed better by Australian readers, those who have witnessed the ever-bright sun which Ward mentions (sometimes with repugnance) or the shore and Newcastle Show which linger in the poet’s memory. A more enjoyable section for this reviewer is Art and the Metaphysical. Here, the poems sound more musical and have a broader meaning for all readers; for example, the poems Regeneration (page 63) and Spider (page 65); and this makes the section more appealing for any creative soul as the poems’ rhythm resonates with their message(s). The poems in the section Women relate to the section’s theme very indirectly.
At quite a few places, Ward uses stylistics, like shape poetry of a few lines within in a poem, making eye-catchers. The variety of themes prevents building up of monotony and only a few poems are long enough to be divided into cantos. On the whole, Cats Creep the Fire to Art suits the taste of readers who don’t mind thinking awhile over a poem or even give the latter a second read to grasp the message(s) therein.
ISBN: 9781934209226
Book Link: http://www.worldaudience.org/pubs_bks/Cats_Creep.html
Ward’s mode remains nearly the same throughout the six sections of the book, having a feel of a kind of detachment and distance from the scenes or situations in the poems. He does dare talk about the ‘personal’ when he writes about more personal aspects of life, like that of aging in the poem A Valediction: On Approaching Thirty in the Final Days (page 119). What he also does frequently in many of the poems is using allusions, Dickens’ Magwitch for example in the aforementioned poem, which demands a well-read reader to better grasp the message(s) in his poems. This is more the case when he writes about religion and history. To understand Ward, therefore, one has to have basic background knowledge of these subjects.
The section Australia will presumably be enjoyed better by Australian readers, those who have witnessed the ever-bright sun which Ward mentions (sometimes with repugnance) or the shore and Newcastle Show which linger in the poet’s memory. A more enjoyable section for this reviewer is Art and the Metaphysical. Here, the poems sound more musical and have a broader meaning for all readers; for example, the poems Regeneration (page 63) and Spider (page 65); and this makes the section more appealing for any creative soul as the poems’ rhythm resonates with their message(s). The poems in the section Women relate to the section’s theme very indirectly.
At quite a few places, Ward uses stylistics, like shape poetry of a few lines within in a poem, making eye-catchers. The variety of themes prevents building up of monotony and only a few poems are long enough to be divided into cantos. On the whole, Cats Creep the Fire to Art suits the taste of readers who don’t mind thinking awhile over a poem or even give the latter a second read to grasp the message(s) therein.
ISBN: 9781934209226
Book Link: http://www.worldaudience.org/pubs_bks/Cats_Creep.html
Shackled in a dreary room in one of Chicago’s mental hospitals, a schizophrenic child’s life had crossed the way of eternal darkness. Wounded and nearly abandoned, this kid couldn’t foretell then that he was to attain freedom from the dismal scene of the mental hospital, get back to school, go to fight in a war for his country, get married and sire kids, and found his own publishing company in the heart of the world’s publishing center. This child was Mike Stefan Strozier and The Labyrinth (World Audience Publishers, 2006) is his memoir.
In an exceptionally daring work of cultural criticism and probe into multicultural identity, Sherry Quan Lee takes her readers to the roots of emotional trauma experienced by a woman of color who has attempted suicide more than once. How to Write a Suicide Note (Modern History Press, Michigan, 2008) is a work of prose-cum-poetry exploring the role of cultural background in inhibiting one’s true self from expression, leading to suppression and trauma – the beginning of suicide. As the book’s subtitle serial essays that saved a woman’s life connotes, Lee’s verse becomes the medium through which she reclaims her right and will to live. Her book is, therefore, a life-loving book, and not a collection of ‘suicide-recipes’ (as the title may seem to suggest).
Treasure Hunt (Booklocker.com, 2008) is a delightful book, truly entertaining in the light-heartedness of its party-centered clues for family and/or friends. Nancy Kruse has shared over 100 clues in different categories – all serving to heighten party celebration at home and outside. Here you learn to add fun to parties by giving clues that would lead to gifts as well as a spark for using your creativity and wit to write amusing verse for celebrations.
Information has occupied the center of decision-making in human societies since ancient times. In the modern world, the political and social structure have gained immense complexity while the biological mechanism for information-processing in the human nervous system has remained more or less in place – liable to distortion, deletion, improvisation, and other errors that transform the original information in different ways, thus giving rise to what Christopher Burns terms as ‘false knowledge’. In Deadly Decisions (Prometheus Books 2008), Burns unveils and explains in detail the mismanagement of information that led to historical disasters like the sinking of Titanic, the destruction of the space shuttle Challenger, and – more recently – the 9/11 terrorist attacks followed by Iraq War.
