
Donald Greco’s novel Abramo’s Gift (Bridgeway Books, 2008) tells the story of a young Italian Abramo Cardone who moves to America after losing his wife and infant child in a brutal crime incident committed by soldiers in his home country. Arriving in Ohio in 1918, he finds a new place to work and live, not knowing what destiny has in stock for him. As the story proceeds, Abramo suffers another trauma but recovers to a fuller life that has love, belongingness, and even more money than he could think of.
The story on the whole makes an uplifting book with a high value placed on love, respect, and care among the many characters involved. However, the lack of balance is excessively felt throughout the book. Characters, which seem far more in number than needed for a complete story, are not developed well as the story proceeds. There is little real conflict, no climax, and a pretty fulsome ending that annoyingly zooms in on making everybody feel happy and look nice and safe. There is virtually no humor in the nearly 300 pages, making the story feel quite dry. Above all, the novel’s hero – Abramo – feels like a passive, ignored character that is hardly shown doing anything at all (not even speaking).
Chapters in this novel are usually short and there is a lot of telling than showing throughout the plot, resulting in the undesirable ease with which one can guess what’s coming. The only significance of the novel, apparent to me, is a picture of multi-ethnic social setting in early 20th Century America, mostly comprising Italians and Irish immigrants in the area where the story takes place. Though not thoroughly explored, what they did and how they lived may be of interest to readers having a liking for society and history. Personally, I would recommend Abramo’s Gift only to those who loved reading fairytales, and continue to do so.
ISBN: 978-1934454299
Availability: http://www.amazon.com/Abramos-Gift-Donald-Greco/dp/193445429X
















Shackled in a dreary room in one of Chicago’s mental hospitals, a schizophrenic child’s life had crossed the way of eternal darkness. Wounded and nearly abandoned, this kid couldn’t foretell then that he was to attain freedom from the dismal scene of the mental hospital, get back to school, go to fight in a war for his country, get married and sire kids, and found his own publishing company in the heart of the world’s publishing center. This child was Mike Stefan Strozier and The Labyrinth (World Audience Publishers, 2006) is his memoir.
In an exceptionally daring work of cultural criticism and probe into multicultural identity, Sherry Quan Lee takes her readers to the roots of emotional trauma experienced by a woman of color who has attempted suicide more than once. How to Write a Suicide Note (Modern History Press, Michigan, 2008) is a work of prose-cum-poetry exploring the role of cultural background in inhibiting one’s true self from expression, leading to suppression and trauma – the beginning of suicide. As the book’s subtitle serial essays that saved a woman’s life connotes, Lee’s verse becomes the medium through which she reclaims her right and will to live. Her book is, therefore, a life-loving book, and not a collection of ‘suicide-recipes’ (as the title may seem to suggest).